Disc 1:
01- WRECKING BALL
02- OUT IN THE STREET
03- OUTLAW PETE
04- HUNGRY HEART
05- WORKING ON A DREAM
06- THUNDER ROAD
07- TENTH AVENUE FREEZE-OUT
08- NIGHT
09- BACKSTREETS
10- BORN TO RUN
11- SHE'S THE ONE
Disc 2:
01- MEETING ACROSS THE RIVER
02- JUNGLELAND
03- WAITIN' ON A SUNNY DAY
04- RAISE YOUR HAND
05- IT'S HARD TO BE A SAINT IN THE CITY
06- MY LOVE WILL NOT LET YOU DOWN
07- BECAUSE THE NIGHT
08- HUMAN TOUCH
09- LONESOME DAY
10- THE RISING
11- BADLANDS
12- NO SURRENDER
Disc 3:
01- 4TH OF JULY, ASBURY PARK (SANDY)
02- BOBBY JEAN
03- AMERICAN LAND
04- DANCING IN THE DARK
05- ROSALITA (COME OUT TONIGHT)
06- TWIST AND SHOUT
Remaster/Hybrid
Recording Info Flying Gonz:
Neumann KM150's>Aerco MP-2>Edirol R-09HR(@24Bit/44.1khz)>
Soundforge Pro 10 (Fades, Bit Rate Conversion w/ Mbit+)>CDWAV>FLAC
Processed in the Flying Gonz mobile studio heading west on I-80
Recorded By Flying Gonz from the back of the Pit
Recording Info Traviz:
Schoeps MK 4V's->
Schoeps VMS5U->
Edriol R1
Breakdown of the 2 sources:
Disc 1: Flying Gonz
Disc 2, track 01: First 35 seconds Flying Gonz, remainder Traviz
Disc 2, track 03: Traviz
Disc 2, track 08: Traviz
Disc 2, track 11: Traviz except for the first 17 seconds and last 25 seconds
Disc 3: Flying Gonz
Notes from info file:
Traviz did such an excellent job with EQing his recording, as a whole it didn't need to be remastered. I liked what Flying Gonz did and wanted to see if I could make the sound pop a little more. With some audience interference on both recordings, I used parts that had less damage from the Traviz source as either filler or an entire track. What a rowdy crowd! Traviz and Flying Gonz were in close proximity of each other, as you can hear some of the same screaming fans spill over on one another's recordings and depending on the position, some to a lesser degree. There was one female fan sceaming for "Racing In the Street" during the "Born To Run" album portion! Makes me wonder if she knew what Bruce was trying to do on stage. Needless to say I banished her hollering off the recording. Also there was some out of tune fans singing and entire conversations going on during Badlands. Unbelievable! What sacrilege! I eliminated what I could. Overall, the Flying Gonz source now sounds brighter and with less fan interference. I applied fades at the beginning and end of each disc and removed the excess audience noise before the encores. One of the big highlights was the rarely played HUMAN TOUCH. Enjoy! Rob.
