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The song was originally recorded in an acoustic version for the Nebraska album in 1981-1982. It was included on the famous Nebraska demo tape of Jan 1982: Following The River tour, Bruce Springsteen and The E Street Band were supposed to start recording the next album in New York City in February 1982. Bruce decided to record multi-channel, professional sounding, finished demos of some songs he had written during the period. He felt the upcoming band sessions would progress faster than they had for his previous three albums if he records these finished demos and demonstrates them to The E Street Band. To achieve his goal, in December 1981, he asks his guitar technician, Mike Batlan, to set up a no frills "porta-studio" in a spare room of his home in Colts Neck, NJ. Some modification work was done to the room making it more receptive to achieving a decent sound. Batlan purchased a Teac Tascom (Series 144) 4-track cassette recorder, two SM57's microphones, and to microphone stands. The sound was mixed through an old Gibson Echoplex, and an old Panasonic boom box acted as the mix-down deck. Springsteen recorded during the first few days of January, with most of the songs cut in one all day/night session on 03 Jan 1982. There were 15 songs recorded on tape, and some of them were recorded 2 or 3 times in slightly different arrangements. The tape was never conceived to result in a commercially released album, as the songs were recorded by the E Street Band with multi-instrument arrangements, during what's known as the "Electric Nebraska Session". However two or three months later, Springsteen recorded two additional songs (MY FATHER'S HOUSE and THE BIG PAYBACK) at home on the same equipment – thus making a total of 17 different songs. Three solo acoustic recordings of DOWNBOUND TRAIN are in circulation. Two of them are practice versions that were recorded at Springsteen's home in Colts Neck, NJ, following the end of The River tour. They are unprofessional "work in progress" home cassette recordings. Check out early demo #1 and early demo #2 for more details. The third one is the more professional recording that was made at Thrill Hill Recording (Springsteen's home studio) in Colts Neck, NJ, on or around 03 Jan 1982 (as mentioned above), and that was included on the Nebraska demo tape. Check out the Nebraska demo version. Though most of the E Street Band arrangements of the songs were discarded and the original solo demos from the tape were released on Nebraska, DOWNBOUND TRAIN was kept in it's electric version to be released on the next album, Born In The USA. The song was re-recorded with the E Street Band with multi-instrument arrangements during the 1982-1983 Born In The USA sessions. The take that appears on the album was cut in Mar or Apr 1982 at The Power Station, New York City, NY, during the so-called "Electric Nebraska Session". In addition to the one that was officially released, two other different mixes of that same recording are known to exist:
DOWNBOUND TRAIN was performed live for the first time on 02 Jul 1984 at Saint Paul Civic Center Arena in Saint Paul, MN, during the Born In The USA tour (third show of the tour). It disappeared from the setlist to return 2 months later, on 05 Sep 1984 at The Centrum in Worcester, MA. It was played about 80 times during that tour. See the live 21 Jun 1985 version. The song was also played during the Tunnel Of Love tour (14 times), Human Touch tour (15 times), Reunion tour (9 times - check out the live 11 Aug 1999 version), The Rising tour (3 times):
And the Devils & Dust tour (3 times, played on pump-organ):
It was never played on off-tour performances.
The above lyrics refer to the album's version. Check out early demo #1, early demo #2, Nebraska demo version, the live versions (no lyrics variation): live 21 Jun 1985 version, live 11 Aug 1999 version, and live 25 Jun 2005 version. Also check The Smithereens' version, Raul Malo's version, and Kirk Kelly's version. * This line will later appear on DEAD MAN WALKIN'. Review by springsteenidol at Greasy Lake: I think the progression of the jobs* is supposed to show this dark mourning mood. It starts off with the lumber yard, which is a manual labour job but not a really bad or embarrassing job. While working at the lumber yard the characters life is supposed to be going ok (having the girl and the job itself) and there is no mention of rain. From here things get progressively worse and the progression of jobs illustrates this. The character loses the girl and now works at the car wash, which is a job on a lower level then the lumber yard. Here there is the mention of rain, again meant to show the beginning despair of the character and his fall from better times. This downward movement of jobs is also meant to show that the character is also losing his freedom and freedom in this case refers to his ability to have a better job or have an occupation that he prefers, and he loses this freedom because of the downturn in the economy which forces him to accept any job in order to survive. Finally is the rail road gang. The rail road gang is the final level of despair and shows that the character has totally lost all freedom and now is a sort of prisoner himself. Again there is the mention of the rain (gloomy outlook on life) and the job itself is a job that was usually done by prisoners, which makes the job lower on scale then even the car wash and shows that the character is a prisoner himself. He is a prisoner in that the economy has turned so bad that he now lacks any freedom to choose employment and must take any job, which in this case is prison work. He is also like a prisoner in that prisoners have lost everything because they are isolated in jail and the character has also lost everything (namely the girl and his original lumber yard job). This is all my take on the song, but it shows how the character can work on a rail road gang without having to have done anything illegal and I think it also shows the despair and decline of the character. * "Now I work down at the carwash" then later "Now I swing a sledge hammer on a railroad gang, Knocking down them cross ties, working in the rain" |
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