Album version
Seen a man standing over a dead dog lying by the highway in a ditch
He's looking down kinda puzzled poking that dog with a stick
Got his car door flung open he's standing out on Highway 31
Like if he stood there long enough that dog'd get up and run
It struck me kinda funny, seemed kinda funny sir to me
Still at the end of every hard earned day people find some reason to believe
Now Mary Lou loved Johnny with a love mean and true
She said "Baby I'll work for you every day, bring my money home to you"
One day he up and left her and ever since that
She waits down at the end of that dirt road for young Johnny to come back
Struck me kinda funny, funny yeah to me
How at the end of every hard earned day people find some reason to believe
Take a baby to the river, Kyle William they called him
Wash the baby in the water, take away little Kyle's sin
In a whitewash shotgun shack an old man passes away
Take his body to the graveyard, over him they pray
Lord won't you tell us, tell us what does it mean
At the end of every hard earned day people find some reason to believe
Congregation gathers down by the riverside
Preacher stands with a Bible, groom stands waiting for his bride
Congregation gone and the sun sets behind a weeping willow tree
Groom stands alone and watches the river rush on so effortlessly
Wondering where can his baby be
Still at the end of every hard earned day people find some reason to believe
REASON TO BELIEVE is a song written by Bruce Springsteen and released on his 1982 album Nebraska.The above lyrics are for Bruce Springsteen's album version of REASON TO BELIEVE as released in 1982.
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Following The River Tour, Bruce Springsteen and The E Street Band were scheduled to start recording the next album in New York City in February 1982. Springsteen felt that the upcoming band studio sessions would progress faster than they had for his previous three albums if he first records finished demos and demonstrates them to the band. He decided to record multi-channel, professional sounding, finished demos of some songs he had written during the period.
To achieve his goal, Springsteen asked his guitar technician, Mike Batlan, in December 1981 to set up a recording facility in a spare room at his home in Colts Neck, NJ. Some modification work was done to the room making it more receptive to achieving a decent sound. Batlan purchased a Teac Tascom Series 144 4-track cassette recorder, two Shure SM57 microphones, and two microphone stands. The sound was mixed through an old Gibson Echoplex and an old Panasonic boom box acted as the mix-down deck.
Batlan told journalist David McGee, "Springsteen began organizing his work for Nebraska during the first week of December 1981 — that's when I was directed to buy the four-track... actual recording began on 17 or 18 December and ended around January 3." Some of the songs were recorded two or three times in slightly different arrangements. A cassette tape was compiled and edited at the end of the sessions, likely on 03 Jan 1982. It contained fourteen songs recorded during these late December 1981 / early January 1982 sessions plus what is almost certainly a live recording of a fifteenth song, JOHNNY BYE-BYE. It also included seven alternate takes and five alternate mixes. The first person to listen to the tape was Jon Landau. Two or three months later, Springsteen recorded two additional songs (MY FATHER'S HOUSE and THE BIG PAYBACK) at home on the same equipment — thus making a total of 17 different songs.
The solo demo tape was never conceived to result in a commercially released album, as the songs were recorded by the E Street Band with multi-instrument arrangements, during what's known by fans as the "Electric Nebraska Sessions". It should be noted that most of the songs were not recorded in "rock" arrangements. Instead, Springsteen and Max Weinberg just added light percussion, or Roy Bittan added a synth pad.
During the E Street Band sessions it became apparent to Springsteen that a majority of these songs did not lend themselves well to a full band arrangement. He later wrote in his 1998 book Songs, "I went into the studio, brought in the band, rerecorded, remixed, and succeeded in making the whole thing worse." At one point he even went back into the studio with an acoustic guitar to try and re-record the songs solo, but the result lacked the atmosphere and feeling of isolation only found on the original home demos. According to Toby Scott, Springsteen handed him the original solo demo tape in April 1982 and asked him if it was possible to just master off the tape, with the intention to release some of the songs as a solo album. It took Scott a few weeks before eventually saying yes and in May a decision was taken to release a solo album ahead of the still-in-progress E Street Band album.
Most of the E Street Band arrangements of these songs were discarded and ten of the original solo demos from the tape were released on the Nebraska album. Max Weinberg revealed to Rolling Stone in June 2010 that the recording of the "Electric Nebraska Sessions" does exist. He said that "the E Street Band actually did record all of Nebraska and it was killing [...] It was all very hard-edged. As great as it was, it wasn't what Bruce wanted to release. There is a full band Nebraska album, all of those songs are in the can somewhere."
"Open All Night" and "January 3, 1982" were considered as titles for the album, but ultimately "Nebraska" was chosen. The album was produced by Bruce Springsteen and was commercially released on 20 Sep 1982 by Columbia Records.
Nebraska features 10 new Springsteen compositions and clocks at 40:50.
Other versions of REASON TO BELIEVE were also officially released.
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REASON TO BELIEVE was sound-checked prior to the 28 Mar 1988 show in Detroit, MI, (as far as it's known) but it was not performed on any of the Tunnel Of Love Express Tour's regular shows. The 28 Mar 1988 sound-check version of REASON TO BELIEVE was released on the Joe Louis Arena, Detroit 1988 official live download in 2020.
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REASON TO BELIEVE was performed off-tour on 16 Nov 1990 and 17 Nov 1990 at Shrine Auditorium in Los Angeles, CA, during the benefit shows for the Christic Institute. The live 16 Nov 1990 version and the live 17 Nov 1990 version of REASON TO BELIEVE were released on The Christic Shows, November 16 & 17, 1990 official live download in 2016.
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At least 18 artists have recorded and released Bruce Springsteen's REASON TO BELIEVE.
List of available versions of REASON TO BELIEVE on this website:
REASON TO BELIEVE [Album version]
